Exhibitions by

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Brett Amory: Silence is Louder than Sound

November 8, 2025 - December 3, 2025

All inquiries: brettamory@gmail.com

Opening Reception: November 8, 4 - 7pm

Minnesota Street Project @ 1275 Minnesota St

The Space Program and Minnesota Street Project are proud to announce Silence is Louder than Sound, a compelling solo exhibition by contemporary artist Brett Amory that investigates the unseen yet pervasive influence of algorithms and digital networks on our perception of reality.

In this new body of work, Amory departs from digital spectacle, choosing instead to embody the algorithmic substratum through large scale paintings that emphasize material presence and tactile complexity. These works evoke the digital realm and feature motifs reminiscent of memes, captchas, and code while resisting their ephemeral, pixel-based nature through textured surfaces and layered materials. The resulting artworks invite viewers into a dialogue between the immediacy of physicality and the abstract processes shaping online life.

At the heart of the exhibition lies Amory's innovative custom Al system, zOglyphic 913, a symbolic language designed to constantly remix and evolve, mirroring the undecidable nature of computational logic. The glyphs and semiotic distortions generated by this system serve as visual embodiments of the limits and ambiguities inherent in algorithmic processes highlighting the inescapable presence of undecidability and indeterminacy in contemporary digital culture. Through Silence is Louder than Sound, Amory offers a poetic reflection on the interface between the symbolic and the subsymbolic, the human and the machine. His works echo the pioneering spirit of Harold Cohen's glyph-based series AARON while also questioning the nature of meaning and communication in an era dominated by algorithmic mediation. The textured, embodied surfaces challenge viewers to experience the saturation of digital influences through physical presence, emphasizing that even in silence, the computational encroachment is profoundly felt.

This press release was derived from an essay by Stanford professor Shane Denson.

For press inquiries, please contact: Jud Bergeron jud@spaceprogramsf.com


KAKO

KAKO

Ink on canvas

72x96”

2025

$15,000

Diagram for Remembering Nothing

Diagram for Remembering Nothing

Ink and oil on canvas

72x84”

2025

$14,000

It Is What It Is

It Is What It Is

Ink and oil on canvas

72x84”

2025

$14,000

Immanence in Safe Mode

Immanence in Safe Mode

Ink and oil on canvas

72x84”

2025

$14,000

Verification Through Semantic Erosion

Verification Through Semantic Erosion

Ink and oil on canvas

48x72”

2025

$12,000

Authenticity as a Filter

Authenticity as a Filter

Ink on canvas

48x60”

2025

$7,500

UNSELF Residue

UNSELF Residue

Ink on canvas

36x40”

2025

$4,500

Archive of Failed CAPTCHA Attempts

Archive of Failed CAPTCHA Attempts

Ink on paper and canvas

36x36”

2025

$4,500

Portrait of Nobody in Particular

Portrait of Nobody in Particular

Ink on canvas

25x36”

2025

$4,000

Absence Approved

Absence Approved

Ink on wood

14.5x23”

2025

$3,000

No Human Input Detected

No Human Input Detected

Ink on wood

23x24”

2025

$3,500

Semantic Field Test

Semantic Field Test

Ink on wood

23x24"

2025

$3,500

Hopeful but Buffering

Hopeful but Buffering

Ink on wood

18x24"

2025

$3,500

Death as Design

Death as Design

Ink on wood

20x20"

2025

$3,200

It is What it Is

It is What it Is

Ink on film

22x28"

2025

$1200

Portrait of Nobody in Particular#2

Portrait of Nobody in Particular#2

Ink on film

22x28"

2025

$1200

Naton

Naton

Ink on film

25x34"

2025

$1500

Exhibitions by

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